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37 minutes ago (via pitchfork.com)
A dystopian band for dystopian times, Ladytron return with an angry, pitiless, evil-sounding record whose nihilism presents them as sirens of the apocalypse.

37 minutes ago (via pitchfork.com)
A pleasant palate-cleanser after the nourishing Hug of Thunder, the Canadian collective’s latest EP tackles familiar modes in capable fashion, while offering moments of life-affirming beauty.

37 minutes ago (via pitchfork.com)
The jazz trumpeter’s meditation on the legacy of civil rights and the heroism of Rosa Parks is formally inventive and emotionally gripping.

37 minutes ago (via pitchfork.com)
A player in Shabaka Hutchings’ Sons of Kemet and a key figure in London’s vital jazz scene, Cross brings new energy to the tuba, an instrument long neglected in jazz and hits offshoots.

37 minutes ago (via pitchfork.com)
The new project from Grouper’s Liz Harris contains some of her most beguiling work. Spread across two long, contrasting ambient compositions, her music remains in an enigmatic class of her own.

37 minutes ago (via pitchfork.com)
On their debut album, this Portland quartet demonstrates their old school death metal bona fides, even when they’re more interested in evolution and atmosphere.

37 minutes ago (via pitchfork.com)
A producer with a knack for matching any rapper’s flow and a rapper at his best when embracing his regional flair are, turns out, good influences.

37 minutes ago (via pitchfork.com)
The duo’s latest speeds between fragmented beats and mournful balladry but rarely makes an impression beyond its sound and fury.

37 minutes ago (via pitchfork.com)
The Belgian-Caribbean musician’s breakout EP, co-produced by Soulwax, channels Guadeloupean influences into striking, playful electro pop with a sly sense of humor.

37 minutes ago (via pitchfork.com)
The ostensible sequel to How Fly offers a few fleeting glimpses of the easygoing, unruffled, and effortlessly cool rap produced by the duo 10 years ago.




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